Reason’s Mixer is one of the most important devices in the software, but most home musicians don’t pay much attention to it. It’s simple enough to get your...

Recently, we published a two-part Plus tutorial on Reason’s sequencer. It’s only fitting that we devote one to the rack. The rack is something that many...

For many audio writers, the basics of production sometimes seem so trivial that they’re overlooked as topics for sites like Audiotuts+. A piece on setting up...

As a rocker at heart, I was never much interested in music theory. I picked it up as a matter of requirement throughout my education in bits and dribbles,...

When it comes to the role of the manager in the studio, the first question to ask is: should managers be in the studio at all? At the end of the day, it...

At the most basic level, the role of the musician in the studio is to deliver a performance of high quality that can be released to the world (or at the very...

Reason 4’s RPG-8 Arpeggiator device is a useful tool when you want to create any sort of arpeggiated melody from a chord progression or even lead line...

The producer has a job that consists of many roles. Some of them happen in the studio, and some of them don’t. I’m going to spend a few articles talking...

A while back we took a look at the most basic lesson in guitar improvisation: the pentatonic scale. Today we’re covering what many would consider the second...

In a music world where less and less people are bothering to learn to read and write “proper” notation, more easily grasped formats such as tablature are...

In a recent tutorial on quantizing audio in Logic Pro 9, we used one of the flex modes so that we could put our audio in time with the new Flex Time feature....

Logic Pro 9 introduced Selective Track Import, a feature that gives you the ability to import entire tracks from your other projects — or just the audio, or...